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Boom Operator

This job belongs to job family > Media, Print and Publishing

Boom operators work for the film and TV industry in the area of sound production. They:

  • arrive half an hour before call time and help to unload and set up all the sound equipment
  • read the 'sides' (booklets with the part of the script that is to be shot that day) and memorise the actors' lines
  • during rehearsals, note all planned camera movements and changes of lighting
  • position microphones so the sound mixer can achieve the best possible sound quality when recording dialogue and sound effects
  • hold the 'boom arm' or set it up on its stand or platform
  • anticipate when to move the boom and move with the camera operator to follow the action, holding the boom steady and high
  • position other microphones and cables
  • maintain the sound equipment and, if necessary, carry out minor repairs.

Boom operators work in film or television and also on corporate productions and commercials. Increasingly they work in more than one industry sector.

Boom operators work long, irregular hours including nights and weekends. They may work in a studio or on location, indoors or outdoors, in all weathers. They may have to spend extended periods away from home.

Most boom operators are employed on a freelance or contract basis and there may be periods when they don't earn anything. The minimum rate for an experienced boom operator is £775 for a 50-hour week. They may have to provide their own equipment.

A boom operator should have:

  • excellent hearing, concentration and attention to detail
  • knowledge of microphone characteristics, lighting techniques and camera angles
  • good timing and the ability to anticipate
  • a good memory for dialogue
  • physical stamina, balance and agility
  • an understanding of on-set protocol and health and safety issues.

There is no set route into working as a boom operator and competition is fierce. Practical experience, either paid or voluntary, in film, broadcasting, theatre, the music industry or radio is essential. Relevant, but not essential, educational qualifications include BTEC Higher National Diplomas/Certificates or degrees in sound production, sound engineering, audio technology, music technology, film and television production.

With experience, a boom operator can move into other jobs in sound production or post-production, for example as a sound designer, sound production mixer or sound supervisor.

 

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